If you go by titles there are thousands of comics about invisibility. The Invisible Man ( Marvel Classics Comics #25, 1977) was adapted by Doug Moench. The Invisible Man ( Supernatural Thrillers #2, February 1973) reprinted in black & white in Masters of Terror #2 (September 1975) with a Dan Adkins cover based on Jim Steranko’s earlier cover. The Invisible Man ( Classics Illustrated #153, November 1959) was adapted by an unknown author. The Invisible Man (Superior Stories #1, May-June 1955) was adapted by an unknown author.
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When the character was not drawn at all, the artist had to resort to the same tricks the films and TV used. This made them look like ghosts (which there was more than enough of already). For comic book colorists the usual method was to make the supposedly invisible characters white or colorless. Susan Storm was hardly the first nor the last. Invisible Woman in The Fantastic Four (first appearance November 1961) is probably the most famous. The Comics took after the invisibility idea with certain characters. The 1975 television show with David McCallum made him a hero rather than a villain. There have been several recent remakes but none has the power of the original 1933 film. These old films make us laugh today with their items on strings. Of course, we all know the story from the Universal horror film The Invisible Man (1933) starring Claude Rains and its sequels, The Invisible Man Returns (1940), The Invisible Woman (1940), Invisible Agent (1942), The Invisible Man’s Revenge (1944) and Abbott and Costello Meet the Invisible Man (1951). As with the Jekyll & Hyde comics, adaptations tend to be reprinted rather than redone. Wells’ novel are to be found in the usual places: Gilberton’s Classics Illustrated, Pendulum Press and Marvel Classics Comics. Art by Jack Kirby and George KleinĪdaptations of H. A group of laborers kill him with their shovels. In the end, he is betrayed by new fallen snow. These go from changing back to ruling the world, for the Invisible Man has become mad. Escaping, he employs a tramp then a man named Kemp to further his goals. Nosy villagers pry until he is discovered. The novel follows a mysterious scientist who seeks solitude so he can reverse a discovery that has rendered him invisible. The idea of unseeable things predates Wells, with “What Was It?” by Fitz-James O’Brien ( Harper’s Magazine, March 1859) and “The Damned Thing” by Ambrose Bierce ( San Francisco Examiner, September 13, 1896) but Wells uses the idea on a much deeper level than just “Geez, I wonder what that was?” He works in Socialism and how society treats outsiders, and whether he meant to or not, he once again built on the mad scientist theme we get from Mary Shelley, Robert Louis Stevenson and his own Dr. Wells created the monster tropes that Science Fiction and Horror would recycle endlessly for the next hundred years. Wells (1897) was one of his genre-establishing books along with The Time Machine, The Island of Dr.
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